YOUSSEF RAHAI

• As an Audiovisual Equipment and Operations Technician in television and radio, I specialize in the operation and management of audiovisual equipment during broadcasts. This includes overseeing cameras, sound systems, lighting, and video recording equipment to ensure seamless production. I collaborate with producers, directors, and engineers to support both live broadcasts and recorded content, addressing technical issues as they arise. My role is essential in maintaining the smooth delivery of high-quality audiovisual content to the audience.

I worked as the Director of Photography (DOP) on the short film HAYAT, overseeing the visual aspects, including camera work and lighting. I collaborated closely with the director to bring the film's themes to life through compelling cinematography. This experience enhanced my skills in visual storytelling and creative problem-solving.

• I worked as a Camera Assistant Intern on the series Amouddou season 16, where I learned a lot in the field of cinematography.
• Improved shooting efficiency by quickly assembling and disassembling camera equipment during fast-paced shoots.
• Safeguarded valuable equipment by adhering to strict handling procedures, reducing the risk of damage or loss on set.
• Increased overall production quality with meticulous attention to detail when aligning framing compositions.
• Provided valuable input during pre-production meetings regarding best practices for achieving visually stunning content within budgetary constraints.

• The video is part of the production studies at the Specialized Institute of Cinema Professions in Ouarzazate, where I worked as a director.
• Developed high-performing teams by providing mentorship, guidance, and opportunities for professional growth.

• I worked as a cinematographer on the short film Tomorrows Yesterday, which is part of the production studies at the Specialized Institute of Cinema Professions in Ouarzazate.

I worked as the Director of Photography (DOP) on the short film Before the Fight, where I was responsible for the visual execution, including camera movements, lighting, and shot composition. This role allowed me to collaborate closely with the director to create a compelling visual narrative that complemented the film’s intense atmosphere and themes.